Inspiration: Zombie! Pre-Halloween "Going Out" Look

Tonight, Thomas and I are hitting the local Art Walk. It's a monthly event where different visual artists, performers, and arts organizations more or less take over the downtown area. Handmade items are sold from sidewalk vendors, opera is sung on street corners, movies are shown in the middle of a Square, and wine and cheese flow forth from gallery receptions. All in all, it's a good time. We'll be there representing Fighting Owl Films, so I had to get a little more dolled-up than usual, and in a way that helped make it clear what our organization does. So, I pulled out my zombie headband. That should do it.

The zombie headband, in case you're wondering, is this absolutely, freakishly adorable handmade piece I picked up at another Art Walk last December. The artist doesn't have a website, or I'd be hawking it like mad because she's insanely talented. When I saw that she had sweet purple zombies for sale, and I had a movie out that featured sweet purple zombies, I knew we were a perfect match. Here's the piece:
 

I love the dangling little button eye!!!! Squee!!!

Once I knew that I was going to have purple and red in my hair (and the rest of the outfit consists of a black shirt and blue jeans), I decided to incorporate those colors into my makeup for a dramatic, artsy, but still classy look. God, help me. Here's what I came up with:

Products Used:

Touch In Sol Feels Like Honey Moon primer

MAC Studio Sculpt foundation

Maybelline Age Rewind concealer

Benefit Creaseless Cream eye shadow in Silver (lid/primer)

Stila eye shadow in Moxie (crease)

Urban Decay eye shadow in Grifter (blending)

Urban Decay 24/7 Glide-On Pencil in Zero

Buxom Lash mascara

E.L.F. Brow Kit in Medium

MAC Cream Color Base in Virgin Isle (blush)

Rimmel Stay Matte powder in Transparent

Benefit Watt's Up highlighter

Revlon Colorburst Lip Butter in Cherry Tart

They eyes took zero time. Seriously. Silver for the primer/lid color, then add Moxie to the crease and outer V-area, and blend it up with Grifter (which is full of pretty silver glitter that shows up in person, but not in this picture. Of course). Run Grifter under the lower lashes, then run Moxie over that line to the halfway point. Line upper lashes with Zero and wing out slightly, then run it under the lash line about a quarter of the way across. Add Watt's Up to the inner corner and under brow bone. Done.

If you're curious about how I wore a cutesy headband after age 30, here's how, and it could not have been easier. I started with wet hair and spritzed in a good leave-in conditioner. Then, I added a volumizing mousse to the roots and gave it a rough blow-dry. When the hair was just slightly damp, I sprayed down the ends with a sea spray for texture, and continued to rough blow-dry the rest of the way, scrunching the ends as I went along. Once the hair was completely dry, I pulled it up into a messy, high ponytail, with a little volume at the crown. I didn't tease the crown, but left room for it to pouf up a little when I pinned in the bun later. To create the bun, I used a teasing comb to tease the entire ponytail in one-inch chunks. Then I twisted the chunks together loosely and formed a circular ballerina bun, poufed up the crown, and pinned. The headband went on after, and I tucked the ends into the hair behind my ears. I finished the look by lightly spraying with anti-humidity (ha!) hairspray, just to knock down any frizzies that shouldn't be there. Messy is one thing. Frizzy is something entirely different.

See, the band is pretty far back on the head, which makes it more like an fashion accent, and less like something a schoolgirl would use to keep her hair back during P.E.



This shows how it looks from the front, as well as a close-up of the bun. Added bonus: Erin looking like a goober. You're welcome...

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Who all watched the Tony's last night? Anyone? Bueller?

Right...so, for all, what, two of you who tuned in, how awesome was Neil Patrick Harris?! For those of you who missed out, the two-time host opened the evening with a show-stopping number--complete with dancing sailors, stewardesses, and (oh, why not?) nuns--that delivered the message: "Broadway! It's not just for gays anymore!" Later, he challenged Hugh Jackman to a musical hosting duel, rode in on the puppet horse from Best Play winner War Horse, and devoted a full thirty seconds to good-natured Spiderman: Turn Off the Dark bashing. Somewhere in the midst of all that, he managed to squeeze in a production number from his stint in the New York Philharmonic's concert version of Sondheim's Company. To finish off the night, he rapped a newly composed recap of the ceremony's events. I.Am.In.Awe.

Of course, the entire evening wasn't all NPH. The theatre junkie in me was positively giddy over numbers from Anything Goes (could Sutton Foster be any more adorable?) and How to Succeed in Business. I was less than impressed by the screechy Sister Act and morose Spiderman numbers, but after Norbert Leo Butz's tour de force performance, I have to check out Catch Me If You Can. The evening's best number, without question, had to be the feel-good anthem "I Believe" from The Book of Mormon. I'll be purchasing that cast album this week, if at all possible (don't judge me. Yes, I work for a church, but I also have a sense of humor. The two are not mutually exclusive). The evening also provided its own unintentional drinking game fodder, as The Motherf***** With the Hat was nominated for several awards, and presenters had to remember to censor the name for television. Most were successful. Others, not so much (Brooke Shields, I'm looking at you).

All in all, the awards rocked this year, and I'm on a performing arts high, right now. In light of that, I give you the goofiest ad I've seen in a while. It's not for a Broadway show (though you can learn about all of the nominated shows and view clips here), which would have made more sense, as I've written two full paragraphs on the Tony Awards...hmmm. Oh well, it's a blog, not the New York Times. We'll live. Instead, it's for the Royal Ballet's production of Romeo and Juliet. The British company is utilizing a different space for performances this weekend. Instead of their ususal haunt, The Royal Opera House at Covent Garden, they'll be at the O2 Arena, an enormous dome that plays host to rock concerts and seats 20,000 people. The company's regular attendees might fill 10-20% of that, so the powers-that-be decided to take drastic measures to put some butts in seats. The result: a series of ads that riff on the whole ballet-in-a-rock-arena situation. This first one is funny, informative, and just really enjoyable to watch. It's not "cool", but I got the impression the creators knew that. It's just a hoot and a half, and I hope you like it. The video won't embed, for some reason, but you can find it here.