"There are certain photo set-ups that you see all over wedding photography (the shoe shot, the dress shot, the bridal portraits just after she’s got ready, the groom getting ready with his boys etc…)"You know, key ingredients. Hence the key stock poses. This is not a lack of creativity on anyone's part. It's just documentation. Can you name one bride who wouldn't be completely miffed not to have a picture of herself in her wedding gown, or with her new husband in those first few minutes of marital bliss?
Of course, good photogs know how to spice things up with personalized shots based on the couple's tastes and personalities, and the wedding's location, theme, etc. Really good ones can even grab those sparkling candids that become so precious to us. I have a couple of fantastic shots of the bouquet toss, when some kidlets ran in and snapped up the flowers before any of the single ladies knew what hit them. I also know that somewhere, floating around, there's an awesome shot of just my heels coming out from underneath a friend's bridal gown, when I had to crawl under her skirt to adjust her inner lacings. It's probably, like my photos, wedged between a photo of the pearls on her veil, and one with the bridesmaids holding out their bouquets. Not that there's anything wrong with that.
French photographer Beatrice de Guigne understands the situation, and decided to have a little fun with one of her couples: Barbie and Ken. Really. In this, believe it or not, beautifully shot album, the photographer explores all those stock poses we've come to expect, and shows us why they're so loved. It's witty, artful, and surprisingly sweet. See below for a taste. More photos are available at Glamour.com (or click the above link).
Photo Credit (All): Glamour |
ok, that's too funny. i love the last one the best.
ReplyDeleteand should the man and i ever have the benefit of the clergy, i can assure you that any pictures of this event will be 100% non-traditional. it'll be a miracle if i can convince him to allow pictures at all...